Thursday, November 5, 2020

Can Kidneys Create Comedy? I'm Trying to 'B Positive'

 Hey, this is a joke, right?

Annaleigh Ashford and Thomas Middleditch (CBS)
I know CBS, comedy superproducer Chuck Lorre – and I – sure hope so. Many jokes, in fact.

My ears did a double-take when I first heard it: among the shining lights of the network's COVID-compromised 2020 fall TV season, the first new sitcom to arrive in the vaunted CBS prime-time lineup, is a show about kidney failure and organ donation.

Sounds like a laugh riot, huh?

B Positive, starring Thomas Middleditch and Annaleigh Ashford, premieres at 8:30/7:30 Central Thursday, Nov. 5, comfortably nestled between two of Lorre's greatest hits, the return of Young Sheldon at 8 and the eighth-season return of Mom – sans Anna Faris – at 9. Sort of a Lorre Lane, if you will. Few comedies could have a more secure launch pad.

As a kidney donor recipient myself (nine years and going strong, thanks), advocate for organ donation and former renal patient representative for the State of Illinois, I was eager, if a bit apprehensive, to see B Positive. I tracked down the CBS media representative for the series in Los Angeles – I'm the former TV critic for The Detroit News and Detroit Metro Times, among other publications – and asked to review the pilot episode. It isn't available, I was told three times, and who do you write for again?

However, as I go online now and see the pilot reviewed by heavy hitters like The Washington Post and The Wall Street Journal, I see the show was available...just not for me. But I am undaunted! I guess what CBS and most other networks may not realize is, in their fervor to promote new shows by offering online "sneak peeks" and promotional clips, you can nearly watch an entire pilot episode in bits and pieces. 

Which I did. So there, CBS media lady.

Now, B Positive has some, well, positives going for it. Lorre is the sitcom Midas of his era, and anybody who can mine years of laughter out of fat people in love (Mike & Molly), alcoholics in recovery (Mom) and a pack of insufferable genius nerds (The Big Bang Theory) has to be given benefit of the doubt with this delicate subject matter. 

Marco Pennette, the creator and executive producer, Lorre's creative teammate and writer of the first episode, received a successful kidney transplant himself in 2013 so he's got first-hand memories. And Middleditch, fresh off six seasons and an Emmy nomination for the HBO series Silicon Valley, was said to be the hottest property in Hollywood this pilot season.

He stars as Drew, a slightly neurotic therapist and recently divorced dad who gets the news no one wants to hear: his kidneys are headed on a permanent vacation and he'll need a transplant, fast. "Start with family," his doctor advises. "They're usually the best match."

"Oh, great," Drew moans. "A Republican kidney."

Instead, he has a chance reunion with Gina, a former high school classmate played by Ashford, a Tony Award winner on Broadway whom you may remember from Showtime's Masters of Sex. Gina is a boozy, flighty, mildly annoying party girl – she remembers Drew as "the one guy I didn't hook up with in high school" – who offers him one of her kidneys almost on a whim. However, she's got to remain clean and sober for at least three months to donate, and that's one portal where the laughs pour in.
Transplant Pals. (by Pamela Littky, Warner Bros.)

Drew and Gina have kind of an oddball but engaging chemistry, not unlike any two characters on Big Bang, and if you pay close attention you will see a lot of old favorites on B Positive. The delightful Sara Rue (Popular, frequent Big Bang guest) is Drew's ex-wife, and look for the immortal Linda Lavin – yes, that Linda Lavin, Alice herself – as one of the seniors on the minibus Gina drives for a living.

Is B Positive funny? I laughed some, especially at a surprisingly broad slapstick scene on Gina's minibus, but laughter is the aural equivalent of beauty: in the ear of the behearer. Here's what I'm concerned about:

How long can they let Drew suffer and deteriorate before his transplant? A full season, or longer? As anyone on dialysis can tell you, the waiting is the hardest part.

Will they let the audience know that organ donation is not a frivolous, spur-of-the-moment decision, but one that should be carefully considered and discussed with family, friends and doctors? Giving up a body part, even for the best of reasons, is serious stuff.

Will they stress that Drew and Gina need to prepare themselves, both physically and emotionally, for the transplant and that it is major surgery?

Will someone let Gina know that some nephrologists (kidney specialists) advise against young women of child-bearing age donating a kidney because it may lead to higher risk of gestational hypertension and preeclampsia?

Maybe I'm overreacting. Perhaps I'm too close to the subject matter and need to let go and trust fellow kidney recipient Pennette will do the right thing. However, to my knowledge this is the first sitcom ever to deal with kidney donation and transplantation, and there may be a reason for that. 

Hey, if the show increases the conversation about organ donation and gets more people considering the option, that can't be bad. In terms of the show itself, however, for now B Positive deserves no more than a B-minus.

Thursday, June 4, 2020

I Can Feel That Knee On My Neck, Too

Now THAT'S Symbolism.
I received an early morning call today from a dear friend in Metro Detroit. She was consumed in tears.

“How are you?” she asked urgently. “How are you feeling?”

During her morning walk while her mind was free to wander, she flashed back to an incident some years ago that I had all but forgotten. She had invited me to join her and her husband one Sunday morning for brunch and asked me to pick up a few bagels on my way to their home. Maybe some lox, too.

At the time I could have used some friendly company. I was recently divorced and so wiped out financially that I was driving an old raggedy Ford Taurus I borrowed from another friend. (Friends are great, BTW.) I bought the bagels and headed for their house in the affluent community of West Bloomfield.

Driving slowly while searching for their house number, I was suddenly accompanied by flashing red-and-blue lights behind me. Profiled. DWB.

The officer informed me that my license plate tag had expired — hey, wasn’t my car — and he could not allow me to drive the vehicle. It would have to be impounded. That put me in the unbelievably embarrassing position of having to call my friend to explain my situation. She and her husband came out to find me, we all watched as my car was towed away and, after a very animated and melancholy meal, they drove me home.

Today my friend was overcome by the memory, by the "what if." As humiliating as that experience was, she knows now — and I knew then — it could have been far, far worse.

The unforgivable Memorial Day murder of George Floyd by Minneapolis police officers has galvanized, inspired and inflamed our nation like no time since perhaps the civil rights movement of the 1960s. It is triggering individual flashbacks. And the other morning while rinsing the soap out of my silver goatee in the shower, where apparently I do my best thinking, it suddenly hit me: there is a clear connection between all the cataclysmic events of 2020, from the spread of COVID-19 to the worldwide protests and shameful property destruction in the aftermath of Floyd’s death. 

It actually made my brain hurt a little bit when the revelation hit me. I’ll share my theory with you in a minute. 

First, though, I have to acknowledge that my West Bloomfield caller was not the first Caucasian contact I’ve received on this issue in the past 10 days. It’s no shock, really: in the little West Michigan village where I grew up, I was the only black student in the entire school system. I lived among them. I learned their ways. Sometimes I felt like Jane Goodall should study me. Thus, in confusing and chaotic times like these, some white friends instinctively reach out to me for answers or perspective.

Now, I've read numerous columnists over the years (Thaddeus Howze and the great Leonard Pitts come to mind) who say they're sick and tired of trying to explain to white people what it's like to be Black in America. I couldn't disagree more. 

Growing up where I did, I am certain that for hundreds of people I may be the only Black person they know –– or at least, the only one they feel they know well enough to ask serious, direct questions about race. Just like my journey through kidney disease and a successful transplant has made me "Kid Kidney" for many with renal concerns, so have I become the official African American Advocate to many Caucasian acquaintances. It is not a responsibility I sought out, but it's one I would be a fool to renounce.

My standard response used to begin, "Well, speaking for all Black people everywhere…." However, I've come to appreciate that when someone musters up the courage to ask a sensitive, uncomfortable question of someone they consider a friend, sarcasm should not be the first response. And if they don't comprehend the answer the first time, that's no reason to quit. 

White people in America, from the richest to the wretchedest, have been cloaked in a protective layer of privilege since birth, and many don't even understand it or acknowledge it. When they respond with that wide-eyed vacant stare, like a child or a foreign visitor, you may need to repeat the message several times before comprehension is achieved. 

Earlier I received a text from a high school friend who requested some clarity. Actually, she was posing a question from her neighbor, the mother of two young boys. "She is trying to explain to her four- and seven-year-old sons how a police officer could be arrested," she wrote. "The real issue is, how could a police officer do something so bad?" 

She was referring, of course, to Derek Chauvin –– what a perfectly ironic surname ––  the discharged, disgraced, soon-to-be-divorced white Minneapolis police officer who now owns the most famous left knee in America. 

Chauvin, whose criminal charges have been upgraded to second-degree murder, and three other officers detained Floyd May 25 for allegedly passing a counterfeit $20 bill. In the ensuing detainment, the other officers (whose names aren’t worthy of mention here) held him in place, face down on a city street, while Chauvin pressed his left knee into Floyd’s neck for eight minutes and 46 seconds.

To the surprise of some people, Floyd died.

In the video that now has been viewed worldwide, Chauvin appeared nonchalant, almost casual while cutting off his victim’s breath. He had his hand in his pocket, staring into space and staring down onlookers. This week, the three other cops involved also were charged with crimes in connection with Floyd’s death.

Forget what I said earlier about not being sarcastic with my friends. I texted back, “I’m tempted to say that if your neighbor’s sons are white they have little to worry about, but that might be flippant.” 

And while I believe that to be true, and the sentiment was echoed this week by no less than former President Bill Clinton, I then got specific. “I guess the bottom line is, there are bad people in every walk of life: bad politicians, bad judges and, unfortunately, bad police officers. That doesn’t mean that everybody in a particular line of work is bad.

“Tragically, I’m certain Chauvin was employing his basic training techniques; he didn’t just make up that knee-on-the-neck move on the fly. And I’m just as certain he’s heard suspects gasp, ‘I can’t breathe” who were just faking it to get some relief. This time it went too far, and he was the one who got caught with his knee in a jackpot. It’s tragic and inhumane and gut-wrenchingly painful, but the more troubling question is: how many Black people have been treated the same way by police with no cell phone or video to record it?”

No human being should die like that. George Floyd lost his life lying prostrate in the street. In broad daylight. Like a dog. Over 20 bucks. Twenty bucks. And every African American person in this country knows, at some deep, elemental level, it could just as easily have been them.

It’s what gives Amy Cooper the unmitigated spite to sic the police on a Harvard-educated African American man in New York’s Central Park, guilty of no crime more serious than asking her to leash her dog. It’s what gives a pack of rifle-toting Georgia yahoos the self-proclaimed right to shoot down a Black jogger for stopping to inspect a house under construction. And it’s what gives almost every Black American a constant churn of uneasiness deep in their pit, knowing their personhood could be challenged at any moment.

Memorials to George Floyd Are Going Up Across the Nation.
Look, I fully appreciate that all things considered, I came out pretty well in the life lottery. I grew up in a solid two-parent home, received an excellent education from kindergarten through college, enjoyed a long, satisfying career. I have an amazing, caring wife. I sit on the Board of Trustees for my Alma Mater, Hope College. I have been asked to be considered for enshrinement in the Michigan Journalism Hall of Fame.

But on the wrong night, on the wrong street, in the wrong car, none of that would mean crap. 

Everybody knows that. And that’s the problem. 

Early in my career I spent several years covering the police beat for a newspaper in Grand Rapids, Michigan — I guarantee you the first person of color ever to have that assignment. I was at police headquarters every weeknight, went on ridealongs, got to know most of the officers by name. Yet to this day I remember the time I was driving home from work late at night, “minding my own business,” when The Man pulled me over.

The patrolman stepped out of his cruiser and strolled imperiously toward my driver’s window. I had been taught, as all young Black men sadly still should be, to keep my hands at 10-and-2 on the wheel and make no sudden moves for my license or registration until asked. I rolled down my window, he looked inside and muttered, “Oh. It’s you.” Then he turned around and walked back to his vehicle, visibly disappointed. I have always wondered: what did he have in mind?

Still, I have the utmost respect for law enforcement personnel. They’re the ones running toward the danger when everyone else is running away, they patrol neighborhoods you think at least twice before entering, and they see humanity at its most repulsive nearly every day. They probably should have mandatory sensitivity training at least once a week. 

They are walking, tightly-wound bundles of PTSD. And as the British politician Lord Acton said almost 200 years ago, “all power tends to corrupt, and absolute power corrupts absolutely.” When the po-po stops you in your car, on the street, or crashes through your front door, for those moments they have absolute power. It’s always potentially volatile.

And lest you think the concept of systemic racism targeting Blacks in this country is fictitious or overblown, consider this: Chauvin’s wife Kellie, a former Mrs. Minnesota who can’t race to her divorce attorney fast enough, was born in Laos. She is a person of color. Yet whatever ethnic enlightenment Chauvin had developed through his marriage was forgotten on the streets of Minneapolis. 

We have seen the unjust murders of African Americans trigger large-scale demonstrations in this country before. So many, in fact, and in such rapid succession that it seems the hunting license for open season on Blacks has no expiration date. Yet the George Floyd protests feel more intense, more insistent, a movement spreading worldwide with no signs of diminishing soon. I think I know why. Here’s my theory:

Floyd’s murder came at just the time when the nation was beginning to loosen its “stay at home” quarantine caused by the coronavirus. The operative word here is disproportionate

COVID-19 has sickened and killed a disproportionate number of African Americans compared to other populations in this country. Meanwhile, as the economy nosedives, Blacks are losing jobs and income at a disproportionate level. Millions are filing for unemployment benefits. They’re confined in their homes day after day, getting sick or losing loved ones, watching their finances dwindle with no relief in sight. Pressure is building.

There are no public gatherings. No hugs. There are no sporting events for momentary diversion; and Kobe Bryant, the greatest male athlete many people in this generation have seen perform, dies in a sudden, shocking crash.

We have a clueless, heartless president who has given racists and white supremacists permission to emerge from their basements without fear of reprisal, and who now feels unleashing our armed forces on U.S. civilians is a solid plan. You remember that pressure cooker your mama used to have on the stove? The pressure is building, building. 

COVIDQuarantineJoblessnessKobeTrumpBreonnaAhmaud: it all runs together. A steady stream of 2020 indignities. Simmering, churning anger. Pressure. Time on our hands. We can't breathe.

Then America sees a video of a Black man with a white policeman's knee on his neck? The ultimate symbol of oppression? Oh, NO! The lid blew off! 

George Floyd’s death was not more important or egregious than that of other Blacks who have died at the hands of police this year. It was simply the release valve, a matter of timing, the perfect storm. His name is easily chanted; say his name. And the storm shows no signs of diminishing, certainly not before his public funeral service in Houston June 8 and private burial the next day. No one can breathe at the moment.

The only good thing about 2020 so far? It’s half over.

The bad news: it’s only half over.

Friday, April 10, 2020

Please Say a Prayer For My Man, Alex the Great. He's Got IT.

Alex and Me at the Book Launch Party for "The Booster" in '19
When he picked up the phone, after the fifth ring, I didn't recognize his voice. And that's saying something, because I can call to mind that voice  –– so warm and round, so sonorous and articulate –– anytime I think of him.

I posted some goofy photo on Facebook the other day that made vague reference to the coronavirus, and among the comments was a totally unexpected response from Alex Kimbrough's wife, Rosalind. It simply said, "Call Your Buddy Alex!"

These days, when anybody says "Call your buddy" who lives in disease devastated Detroit, you do it.

So I did.

And he does.

They say it's only a daily, brain-numbing drumbeat of numbers, advisories and Trump denials until someone you love is stricken by "the virus." And I see now that it's true.

Because while I have been moved by the recent deaths of distant friends and notable names in my former Detroit home, people like the amazing drama educator and devotee Brenda Perryman, former Aretha Franklin intimate Willie Wilkerson, and legendary restaurateur Otis Knapp ("Mr. FoFo") Lee, this is now a entirely different dimension entirely.

Because you see, Alex Kimbrough is my boy, in that inflection African American men use to describe another man who inhabits his innermost circle.

And Alex Kimbrough has COVID-19.

I suppose Rosalind wanted her husband to tell me himself. My late afternoon call woke him up, which was not completely uncommon: as morning news director for Detroit's FOX2 (WJBK) for as long as anyone can remember, more than 30 years at the station in all, his workday typically begins in the wee small hours.

But once I sensed that his weak, gravelly speech was more than the sound of someone being awakened from a deep slumber, I immediately felt guilty. I could feel the tears welling up in my eyes. My own breathing was becoming sporadic.

"She didn't tell you?" Alex asked me. "Well, it's good to hear your voice."

He doesn't know when or where he contracted the illness, but who does? He had just been released after spending five days at Providence Hospital, and never needed to go on a ventilator. Thank heaven for all blessings, great and small.
Alex in His Element, Here Directing Aretha's Funeral Coverage

But Alex almost was at a loss for words –– which for him would be literally unheard of –– when trying to describe how much pain he was, and continues to be, in.

"It's worse than the worst flu you could ever have," he rasped. "Don't get this, Jim. Do NOT get this. You don't want this."

Alex said the higher-ups at FOX2 have advised him to take all the time he needs to recover, to not even think about returning to the control room until he feels 100 percent. Wise decision. The station wants to protect one of their, and Detroit's, great natural resources.

In addition to his work at WJBK, in his "spare time" Alex has freelanced directing programs for Detroit Public Television (WTVS) for more than 20 years, and freely lends his talents to other Metro Detroit productions as well. For a brief period he even worked for the Detroit Lions. When Aretha Franklin's sudden death in 2018 left local and national broadcast outlets without someone to coordinate the TV media pool, Alex was recruited to spearhead the coverage, more than eight hours live and nonstop.

He is so highly regarded by his peers that he has served as president of the National Association of Black Journalists' (NABJ) Detroit chapter, vice president of the local branch of NATAS (National Association of Television Arts and Sciences, the Emmy people), and has long been active in the local chapter of the Directors' Guild of America.

And you would be hard-pressed to find a more devoted or passionate alum of Detroit's famed Cass Technical High School: Alex's regular "Cass Tech Moments," usually connected to a fellow grad who appeared on a FOX2 morning show, are the stuff of social media lore. His proposed documentary on Cass Tech, which he's been working on almost as long as I've known him, has become a permanent agenda item whenever we talk.

And atop it all, Alex Kimbrough is a loyal and loving husband to Rosalind, and a doting dad to their only son, Brandon. He's been a BMW –– Black Man Working –– for an entire career, committed to providing for his family. He's just a good brother.

And now here he is, recovering from the menace that has gripped the nation and virtually ground America to a halt. An African American man fighting to regain his manhood in an epicenter of the epidemic that seems to disproportionately impact Detroit's black people. Damn.

I almost feel guilty or selfish asking you to pray for someone who appears to be on the back end of coronavirus when so many have lost so many to this disastrous pandemic. However, like I said, the abstract becomes achingly real when it suddenly affects someone you know and care about.

So, if you are so inclined on this Good Friday, and beyond, please ask God to lay His healing hand on Alex Kimbrough and help him to make a full recovery.

After all, who else is going to finish that Cass Tech documentary?

Monday, January 6, 2020

And He Was in the Skeet Shooting Hall of Fame, Too

I don't know if it's my stage of life, or just life being life. But for most of 2019, I felt like I was overwhelmed by death.

Celebrities. Sports legends. Relatives. Close friends. Relatives of close friends. Almost every day, it seemed, I was saying goodbye to someone who occupied at least a small corner of my mind and heart. Have you ever felt that way?
A Wide-Screen Tribute to Morrie at a December NKFI Forum.

So rapidly were souls "leaving this Earth," as my mother used to say, that I didn't have time to mourn them individually. It was as if I were in a constant state of grieving. However, since we're in that annual period of "Remembering Those We Lost" in the previous year and starting anew, I didn't want the window to close without acknowledging one loss that hit me particularly hard: Morrie Funkhouser.

After all, how can you not remember a guy named Morrie Funkhouser?

Morrie –– or Morris E. Funkhouser II, if you please –– was one of the first people I met after I was encouraged to join the local transplant support group, hauntingly named "Second Chance," shortly after my kidney transplant in November 2011.

Now Frank Veach, the longtime leader of the group, is a delightfully engaging and salt-of-the-earth fellow, a bit of a goofball, difficult not to like. I accepted his welcome into the fold with gratitude.

However, if memory serves I was the only person of color in the group when I joined. (Dave Freeman and his wife Mara have since come on board to help even the odds.) I had only moved from Detroit to the middle of corn and soybean country a year or so before, and most of my time in my new prairie home was consumed by medical appointments, surgery and recuperation. I really didn't know the lay of my land very well.

I think most black people know that feeling of being the only in the room. Stranger in a strange land, I had no idea what to expect.

Then I see Morrie: older, weathered, a factory machinist all his life. The guy at the end of the bar. I stereotyped his gruff exterior the moment I saw him, I'm sure.
Morrie, in a Glamor Shot.

And I could not have been more wrong. In how many situations could an African American writer from Detroit and an instrument maker from central Illinois become chuckle buddies?

Morrie was warm, wonderful and wise. He was the longest surviving kidney transplant recipient in our little band, 27 years and counting before other causes took him from us last June at the age of 72. He was afflicted with polycystic kidney disease, a genetic disorder in which fluid-filled sacs, or cysts, grow in the kidneys and disrupt their ability to do their job in filtering waste products from the blood. About one in 1,000 people worldwide have the condition, including Morrie's son, Anthony, who inherited it.

In most kidney transplants, the failing kidneys are left inside the body because, hey, they still may have some function left, and what could it hurt? In Morrie's case, his cyst-covered kidneys became so huge and invasive –– nearly 13 pounds each –– that both organs had to be extracted.

He never complained, and almost never said no to an opportunity to serve, inform or assist in some organ donation drive or renal-related campaign on behalf of the National Kidney Foundation of Illinois (NKFI), Gift of Hope, or Illinois Secretary of State Jesse White's Life Goes On crusade.

I remember spending many delightful hours chatting with Morrie under a canopy or in a tent somewhere in the region, encouraging people to become donors and answering their questions as living examples of what transplants can mean to people's lives. He was an outstanding ambassador for the cause, and at an NKFI "Living With Kidney Disease" seminar last month in Champaign, a moment was set aside to honor his life and dedication. Class move.
My Friend, the Hall of Famer.

And yet, as is sadly the case with even our closest friends, there were several things about him I did not know until I read his obituary. For example, even though we talked about music, I had no idea he was a talented, longtime musician who played more than a quarter century in a band called The Variations. And he never once mentioned to me his gift for skeet shooting, a  passion that led to his induction into the Illinois Skeet Shooting Association Hall of Fame in 2011.

Glad he liked me; he probably could have picked me off at 1,000 feet.

He was blessed to find love again after his first wife, Ann, died in 2005. I did not know Ann, of course, but his second wife, Sandy, was something special. Bubbly, blonde and vivacious, she's the kind of person who brightens a room just by entering it.

She clearly loved Morrie very much and they planned to care for each other well into their golden years, a scenario that tragically was cut short far too soon. Morrie's health declined so rapidly that by the time I heard he was hospitalized and hurried home from my summer vacation, he was gone.

I understand Sandy has since relocated out of state. Good for her, bad for us. I got to visit with her at his visitation, but she often accompanied Morrie to our monthly support meetings and I miss her. She is quite a lady.

Strangely, Funkhouser was the second "Maurice" who had a seminal impact on my life. The late Maury DeJonge (say "DeYoung") was a legendary political reporter for the Grand Rapids Press who later went on to become the county clerk for Kent County in West Michigan.

My first job out of college was at the Press, and I was given the desk directly across from his. He was a close personal friend of Gerald R. Ford, knew everything taking place in local government almost before it happened, and it was a revelation for this cub reporter to watch him work.
What a Handsome Young Morrie! 

For reasons I never understood, DeJonge took a liking to me and placed me under his wing. I'll never forget the day we were walking out of the newsroom together to our separate assignments and I happened to glance at the wall clock. "Looking at that clock?" he intoned. "Forget it. The news doesn't keep a 9-to-5 schedule."

I have been truly blessed. The Morrie the merrier, I guess.

We will gather in January for our next "Second Chance" group meeting, and undoubtedly we will miss Morrie again. I'm not certain when, or if, we will ever stop.

Memorial contributions may be made in Morrie Funkhouser's name to the Polycystic Kidney Foundation at https://pkdcure.org/tribute-donation, or at 1001 E. 101st Terrace, Suite 220, Kansas City, MO 64131.